FROM MEMENTO MORI TO VISUAL ALCHEMY:
NANCY MACKO'S DECOMPOSITIONS

2024

"The photographs in Nancy Macko’s ‘Decompositions’ series present amorphous forms floating in a watery ether. Light streaks through the compositions, muted slightly by a translucent film that gives the whole composition the soft patina of an old master painting...hovering between abstraction and representation. Momentarily arresting this process with her camera, Macko presents a vision of time and life that is cyclical and fluid...presenting compositions that exist in a delicious state of indeterminacy."

– Eleanor Heartney, 2021

"Mackos' vision resonates with works of other artists who have dwelled on transformation. In Odalisque, cabbage leaves fold like fleshy pillows, and silken, swooning contours recall the languid French odalisques of Jean Dominique Ingres. There is also a hint of surrealist metamorphic imagery in which food stuff transmutes into other life forms. For example, in Macko's Lochness, a celery stalk becomes a strange hybrid creature, at once vegetal and animal."

– Mary Davis MacNaughton

"To convey life in flux, Macko creates images that have multiple associations, often calling up the landscape or the body. In Garlic Sheaves, paper-thin skins give rise to twisted tree trunks slowly disintegrating on the forest floor; in Compression, compacted carrots, celery, and onions elicit settling geologic strata. In Wound, a seed pod evokes a fetus forming in a womb."

– Mary Davis MacNaughton

View full collection – DECOMPOSITIONS
PRESS RELEASE: Williamson GALLERY, SCRIPPS COLLEGE
ESSAY BY Eleanor Heartney
ESSAY BY Mary Davis MacNaughton
REVIEW BY by Jody Zellen
ESSAY BY Linde B. Lehtinen
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THE FRAGILE BEE